Unit 12 | Production Book, Music Video & Portfolio

Introduction

ADD’s second and final Extra Unit. Two threads that close out the year: documenting a production the way a real studio would (a production book, the kind of record that makes a project reusable years later), and a lighter, faster music-video mini-project that puts cinematography skills to use one more time before building out a finished portfolio.

Nothing in this unit is ACP-tested. The unit still carries full compliance rigor. 78-minute timing, The 7, a real Differentiation Matrix, real Organize criteria.

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Learning Outcomes

Upon successful completion of this unit, you will be able to:

  • Document a production’s talent, locations, and rights/clearances the way a professional team would
  • Plan a short music video’s mise-en-scène and shot list from a chosen song
  • Build out a complete, submission-ready portfolio site
  • Compile a production book recording an entire project’s process, start to finish

Calendar of Events for This Unit

MondayTuesdayWednesdayThursdayFriday
5/175/185/195/205/21
S | 11F | 12.1F | 12.1F | 12.2F | 12.2
5/19: Interim grades close 4:00pm (MP4); 5/20: Senior Report Card grades open in Infinite Campus; 5/20: Senior grade verification window opens (through 6/3); 5/21: Interim Reports Available
5/245/255/265/275/28
F | 12.3F | 12.3Senior ExamsSenior ExamsPD / Trade-In
5/25: Final Exams - Grade 12 (day 1 of 3); 5/26: Final Exams - Grade 12 (day 2 of 3); 5/27: Final Exams - Grade 12 (day 3 of 3)
5/316/16/26/36/4
Memorial DayF | 12.4F | 12.4S | 12S | 12
6/1: Final Exam Make-Ups - Grade 12; 6/3: Senior Report Card grades close 4:00pm; 6/3: Senior grade verification window closes; 6/4: Report Card grades open in Infinite Campus (MP4); 6/4: Report Card grade verification window opens (through 6/15)

Lessons

Unit Vocabulary

Continuity Photo
A reference photograph of a cast member’s costume or a location’s setup, taken before filming so hair, wardrobe, and set dressing can be matched exactly if a scene is reshot or filmed out of order across multiple days.
Visual Reference
Any image (a film still, a painting, a photo) collected to help a team agree on a shared look, mood, or tone before shooting begins, without needing every idea spelled out in words.
Mise-en-Scene
Everything visible within the frame that was deliberately arranged. settings, props, costume, lighting, color, and the positioning of people and objects. French for “placing on stage.”
Call Sheet
A daily production document listing what’s shooting, when, where, and who needs to be there. The single source of truth for everyone on set that day.
Shooting Schedule
The order scenes actually get filmed in, grouped by location and actor availability, almost never the same order as the finished story.
Talent Release
A signed document giving a production permission to record and use someone’s likeness. Required for every on-camera performer, even a friend doing a favor.
Location Release
A signed document giving a production permission to film at a specific place. Required for private property, sometimes required for public spaces depending on what’s being filmed.
Line Item
A single row in a budget, one specific expense (gear rental, location fee, catering) tracked separately so a producer can see exactly where money is going.
Contingency
Extra budget set aside for the unexpected (a reshoot, a broken prop, a rental that runs long). Industry standard is roughly 10 percent of the total budget.
Slugline
The all-caps shot heading that opens a scene (INT./EXT., location, time of day). Tells the crew where and when a scene happens before a single word of action or dialogue.
Parenthetical
A short direction in parentheses under a character’s name, telling an actor how to deliver a line (whispers), (sarcastic). Used sparingly, overusing them reads as micromanaging the actor.
Scene Heading
Another name for a slugline. INT. KITCHEN - NIGHT is a scene heading.
Two-Column Script
A script format that splits visuals (left column) from audio/dialogue (right column), common for commercials, music videos, and documentary-style projects instead of standard screenplay format.
Beat
A pause or turning point in a scene’s action or dialogue, marked in a script to control pacing and give an actor or editor a place to breathe.
Client Goals
The outcomes a client wants a video to achieve: informing, persuading, entertaining, or building their brand. Those goals shape every creative decision on the project.
Target Audience
The specific group of viewers a video is made for. Understanding who they are shapes a video’s tone, pacing, and content choices.
Demographics
Measurable characteristics of a target audience, age, location, education, interests, used to describe and understand who a video is being made for.

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